Rosaline Rosa 10

Jul 15

Rosaline Rosa - Espuma De Mar
Released: July 15, 2015

Those seeking a storyline or even the most rudimentary narrative won’t find either in Andrej Lupin’s “Espuma De Mar,” but viewers who are comfortable outside the bounds of conventional storytelling will enjoy a rich, atmospheric, poetic, and stirringly beautiful erotic cinema experience. Throughout its duration “Espuma De Mar” cuts between two settings: the rugged, rocky cliffs above the crashing waves of a restless sea, and the silence and serenity of a plush sofa in a softly lit living room. In the former location a nude Rosaline Rosa, held aloft in Nick Wolanski’s arms, strikes a wide variety of graceful, almost balletic, poses as the salt breeze plays in her long hair, and in the latter the couple make sweet, tender, and passionate love. The symphonic soundtrack ebbs and flows like the ocean, rushing in for emphasis, and then fading back to let the natural sounds of sex fill the ear and the imagination. We know nothing of these lovers, they exchange not a single word, but as we watch we learn everything necessary. Whether on the cliff or on the couch, Rosaline is graceful, physical, emotive, and Nick is solid, silent, strong, and focused. Water rushes gently across the pebbly strand, a loving kiss is exchanged. The tide begins to gradually rise, the couple enter an extended sixty-nine. Waves rise and fall with wind-whipped vigor, Rosaline straddles Nick and savors the sensation of rigid cock in silky, steamy pussy. The tide is high, the air filled with mist, the sea white with foam, as orgasm rushes through Rosa’s body and Wolanski pumps ever harder until Rosaline liberates his surging load with slick-gripped strokes. Both powerful and poetic, “Espuma De Mar” combines naturalism with impressionism to capture a moving erotic interlude.

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May 1

Rosaline Rosa - Fallen
Released: April 30, 2015

Raven-tressed Rosaline Rosa wanders slowly through a barren, eerily beautiful landscape. Her flowing gown flutters in the breeze, her expression somber, melancholy, downcast — emotions reflected by the doleful soundtrack. She stands on a ridge, arms outstretched, rises on her toes, and falls backward. But this isn't the end, it's the beginning of Andrej Lupin's hauntingly beautiful and deeply romantic "Fallen." When Rosa, now nude, comes to rest, she's on her back in bed, and her lover, Kristof Cale, is passionately performing cunnilingus on her. After trading heartfelt kisses they transition to the spoon position, the first of several in which they make love. Now the mood is intimate, warm, inviting, and the bond the lovers share is palpable. While there is an undercurrent of intensity, and Rosa expresses her pleasure vocally throughout the encounter, the pace is easy, relaxed, two people moving as one, towards a goal that is as evenly shared as it is inevitable. Rosa strums her clitoris. Cale pistons vigorously feeding off the music of her moaning and the movement of her exquisite body. They arrive at the final crescendo. Rosaline's body and mind are flooded with bliss as a burst of semen floods in, and then slowly out — but "Fallen" has not reached its end. Once more Rosaline walks, alone, on that desolate, rocky ground. Once more she rises on her toes. Once more she falls. An intriguing, ambiguous ending with a myriad possible explanations and interpretations. And it's that cryptic complexity — along with its romantic vitality — that helps "Fallen" rise to the level of true erotic art.

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